![]() Since avid has proven they suck to me, I am switching over to Final Cut Studio 2. People shouldn't have to jump back and forth to different sites to get the scoop on opinions. People deserve to know what's best for them. I can't afford to go the full HD route with AVID but will continue to use it as an editor. I've had five years to make up my mind about FCP and also it's time to upgrade my hardware and I think it's time for a Mac an FCP. Apple keep it to one main package for everyone.įinally. ![]() As an Xpress Pro user I always feel hard done by when looking at the advantages of Adrenaline etc. There are just too many things that make FCP more attractive when it comes to wanting a machine that can offline as well as online, especially in the HD arena.ĪVID has a top end range of products to protect, Apple does not! Apple can throw all there new ideas and innovations into one package where as AVID spread them into packages that make the most business sense. My biggest concern if I was AVID would be the new entries into the market. However FCP is a great package and where you loose out in certain things you gain them back in others. This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.Firstly I think this is a very valid place to discuss this topic.Everyone that owns an AVID should be watching the likes of FCP as it keeps you up to date with what is happening in the market in general and you can keep your expectations of AVID realistic.Īlthough I've been working on AVID for 13 years now I've worked on both systems for the last 5 years and find that AVID is still by far and away the better editor. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. ![]() ![]() The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. ![]() Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. ![]()
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